While DotM does feature the typical tropes of the beat-’em-up, it moves to the beat of its own drum, reflecting the heavyweight nature of its cover stars. While it would be easy to assume Dawn of the Monsters is a brawler of the Streets of Rage or Final Fight variety, that would be somewhat inaccurate.
prepares to return to the Earth’s surface, executing a shattering do-or-die counter-attack with the fate of humanity itself at stake. Operating out of its satellite headquarters, The Sunrise, D.A.W.N. Enter D.A.W.N., (Defense Alliance Worldwide Network), a body that has spent the past decade studying the enemy, gathering forces & resources, and creating its own army of towering titans. These behemoths have driven humanity underground, where they cower in fear of the devastation that rages above, as an ever-evolving battalion of beasts lays waste to the scorched earth.Īll is not lost, however, as a resistance faction formed of the smartest, richest, and/or bravest hearts and minds is embarking on one critical push to reclaim the weary planet and push the invaders back into oblivion. Set in the far-flung future of 2036, the planet Earth has been all but conquered by a terrifying force of giant alien creatures, known to mankind as “The Nephilim”. Storming out of Canadian independent studio 13AM Games, Dawn of the Monsters is a narrative-driven side-scrolling smash-’em-up - blending the core of brawlers and fighting games with the character build mechanics of roguelite adventures. So pull on your big rubber feet, and let’s Do the Stomp.ĭawn of the Monsters (PlayStation, Xbox, PC, Nintendo Switch)
#DAWN OF THE MONSTERS VIDEO GAME MOVIE#
The kaiju movie has become a beloved and respected cornerstone of science fiction, equally recognized and celebrated in WayForward’s brand new slugfest Dawn of the Monsters.
Witnessing devastation and destruction, wreaked upon the world by a cast of scaly behemoths, remains an enthralling cinematic sub-genre - and is as thematically relevant in the ’20s as it was in the ’50s. You might be seeing a dude in a rubber suit doing a German Suplex, but you’re also being told, quite plainly, “Fuck Nukes”. There is a huge global community of fans who, no matter the generation, will flock to see gigantic neolithic monsters do battle within recognizable cityscapes - fighting it out against a backdrop of broken human politics, capitalist greed, and man’s inhumanity to man.
Takarada would even receive a small cameo in Gareth Edwards’ Godzilla (2014).ĭuring his decades on the silver screen, Takarada came to understand the timeless nature of the “Kaiju” genre. Takarada starred in the original Toho production of Godzilla (1954) as well as its many sequels, while also battling beasties in the similarly themed Invasion of Astro Monster (1965), King Kong Escapes (1967), and Latitude Zero (1969). While perhaps not the most recognizable name in cinema history, the Japanese-Korean actor holds a special place in the hearts of monster movie fans, having carved out a niche in myriad Japanese creature features. On March 14, 2022, the world learned of the passing of Akira Takarada.
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